Florian Satzinger: Working with References

Here's a nice example about using references for a new design: ---- Update: Here's the finished piece. The colour palette I was wor...

book preview

Here is a book prievew that I hope to have out by comicon!

Wouter Tulp: Caricature sketch demo

Close up. Click image to take a close look at the brush strokes   In this video I recorded the process of sketching a James Brown caricature...

Mark McDonnell: How To Draw With Different Mediums - PrismaColor Pencil 01

As we're all gearing up for the 3rd Annual CTN ANIMATION EXPO in Burbank California, I decided to post an all new video in the realm of ...

Mark McDonnell: How To Draw With Different Mediums - Pastel 01

Here's a video showcasing how to approach gesture drawing while experimenting with Pastel, as it's a medium that has much to offer. ...

Leighton Hickman: An Introduction to Plein Air Landscape Painting

The greatest challenge for anyone new to painting en plein air (in open air) is distilling the overwhelming visual information of the landsc...

Florian Satzinger: Poster Artwork - Complete Break Down

Florian Satzinger: Warm-Up Sketch Video

I recorded a new drawing process the other day and thought it would be nice to share it over here, too. Hope you like it... Work In Progress...

Florian Satzinger: Guides

Drawing those green guides (you can use any colour you want, of course) on the characters effect automatically a better understanding of the...

Florian Satzinger: From Rough To Finished

Here's the complete break down of my "CTN duck":

Jason Scheier: Landscape Digital Painting Creation.

Here are three videos I recently put together documenting my quick sketching process in Adobe Photoshop CS5. They usually begin with an abst...

Hat Lieberman: Stuff I've Learned About Storyboarding Part 3

These next few tip sheets examine the elements of design; line, shape, space and value, and how to incorporate them into your storyboards to...

Florian Satzinger: In Quest Of The Right Shape

I often start with certain reference images and then proceed running around on the piece's form and volume on and on and on... lately, I...